Wiley Naman Strasser is an actor, dancer, singer, and musician whose focus resides in new works, re-envisioned classics, and physical and devised performance. He has worked in San Francsisco, Los Angeles, New York, Europe, and South America. Wiley is an Associate Artist with Cutting Ball Theater and a Company Artist with detour dance. Past productions include Invasion!, The Hundred Flowers Project, and 410[Gone] (Crowded Fire Theater), Tontlawald, Krispy Kritters in the Scarlett Night, Communique No 10, Antigone and Ozma of Oz (Cutting Ball Theater), Beckon and Filaments (detour dance), Urge for Going (Golden Thread), Precarious and Leaving the Atocha Station (Hope Mohr Dance), Great Big Also (Mugwumpin), Colossal and Mary Poppins (San Francisco Playhouse), and Our Town and Kiss (Shotgun Players). Other credits include work with Aurora, Berkeley Repertory Theater, Buffalo Nights, Cabrillo Stage, FoolsFURY, Los Angeles Opera, Los Angeles Theater Center, Magic Theatre, PlayGround, Playwrights Foundation, Shakespeare Santa Cruz, Studio Matejka, and TheatreWorks. He has trained with Alonzo King Lines Ballet, CalArts, Yuyachkani in Peru, Teatr Zar and the Grotowski Institute in Poland, and received his degree in Theater with an Emphasis in Acting from UCLA's School of Theater, Film, and Television. In 2014 he was the recipient of a TITAN Award for Acting from Theater Bay Area and most recently he was a SF Bay Area Theater Critic’s Circle Award Nominee for Best Principal Actor in a Musical.